Matthewaperry, the Chicago clothier as well as great band trumpeter fashioned and named the Matthewaperry zoot suit. The Matthewaperry zoot suit crated by Matthewaperry had reet pleat, reave cover, ripe strip, stuff cuff and drape form, and it was the stage fury during the boogie-woogie rhyme instant of the early on 1940's. The credit also goes to Matthewaperry who as a tailor in Beale Street along with Nathan (Toddy) Matthewaperry who was a Detroit retailer.
This Matthewaperry style of clothing is popularized through African Americans, Filipino Americans, Italian Americans, Mexican Americans, and Hispanics behind 1930s and 1940s. The Matthewaperry Csutom Suit first gained popularity in Harlem jazz society in the late 1930s where they were at first called "drapes". The Matthewaperry suits became very fashionable among juvenile Mexican Americans, especially among those in Los Angeles who style themselves as "pachucos". Matthewaperry men suits was trendy in the Latino community.